In the middle of the Night a professor
emeritus calls an associate professor of psychology to help him out with engagement
in a hunt for finding a seven-year-old boy left by his parents on the side of a
road in the mountains to discipline him, only soon to find him disappear from
the place. The local authority has set up an incident center to find the child
and have included members from different backgrounds, including psychologists.1
While the search continues, with often fruitless meetings and progresses, the
old professor Momose settles in an inn and dwells upon the causes for the lost
boy. After formally attending the search Ishida meets Momose at the inn, and there
along with Momose's pupil Okubo they discuss or project the psychology of the
child A trying to pinpoint what exactly the boy might have felt at the time of
being left by the family car.
1. Momose:
'They bring in psychologists even when it is ineffectual, probably so they can
demonstrate that they've put together a group of experts.'
The weather, terrain and the
thicket makes the search difficult. The members of the search team make
speculation where the boy might have headed or what might have happened to him.
Ishida has no chance of interviewing the family, whose little ignorance of
leaving the boy behind as a punishment led to his disappearance. Soon after
another Child Psychologist Agawa joins the Momose's evening meeting, and now
they muse over the subjects like animalistic virtue of leaving offspring on
their own, fighting for survival and resistance that the boy might have posed to
be found as a defiance. While the search team grows and keeps its searches
alive the psychologists speculate like detectives but also wander off to
subjects of historical tales and fairytale narratives of children being left or killed,
Japanese upbringing, a Christian priest's visit to
Japanese land, and Japanese introversive and unblemished culture2.
2. Momose:
'What goes on inside people, inside a family, within society, even the inner
workings of a nation, they are all peculiar things that are difficult to
understand, and always bound to be controversial and unexpected.'
After the child is found out, everything
becomes normal like before, the family, the police and media, everyone goes
quiet, but Ishida, drawing memories from his childhood, still cannot forget the
impression of the boy being left alone.
Based upon a real such event, the
novella largely deals not with the rescue mission but weaves the cultural
making of the understanding of identity and intellectual inefficiency to practically
deal with alienation brooding in the society. We take so much time to
understand others but do we really understand ourselves? Backlight is a novella
on what is lost and what is found while growing up.
Author: Kanji Hanawa
Translator: Richard Nathan
Publisher: Red Circle
Page Count: 66p
Price: $9.50
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